“Immortal Beloved opens on tobacco flower a lot of it. This is the continuation of Immortal Mine which ended with tobacco. Immortal Mine opens with the tobacco flower which is the same but not the same just as Clarimonde in her new form is. Then we get two fantastic nods to the living dead as a desiccated henna and the funeral flower of choice lily add a sense of the cemetery. This is a fabulous piece of interpretation that I enjoyed very much. The base accord is like the tobacco flower as the recapitulation of the amber and oud ensnared in beeswax from Immortal Mine. Except in Immortal Beloved they are a mix of vintage ouds and fossilized ambers. I smelled a couple of these raw materials on that year ago visit; the fossilized amber is amazing by itself. Here the perfumers have allowed it to provide the power of the ages to Clarimonde.”

Colognoisseur

Fragrantica review by  Ida Meister

Immortal Beloved is a hauntingly floral oriental chypre: it hovers.

It opens with silvery shafts of light on whose heels the warm/cool florals melt and spread their wings. I say ‘warm/cool’, because tobacco flower is precious and full-bodied, warm and a bit moist – while henna blossom always feels drily warm to me. Muguet always feels chilly and moist, slightly verdant even – but floral in the extreme. We have voluptuous, fearless flowers shrouded in a diaphanous shawl of ambergris [salty and serene], a sigh of labdanum, the vanillic salutation. Beeswax imparts its honeyed animalic tone, underscoring the carnality of Immortal Beloved. Oud spins a delicate web of sorcery [yes, oud!] beneath the silvery cocoon which grazes our skin.
We are suspended between the waking and dreaming world in a divine limbo of existence

Ambient.

Immortal Beloved, written by Robert Hermann of Ca Fleure Bon

“Immortal Beloved is a stunning amber-centric perfume, warm and enveloping, dark, sexy and profoundly mysterious.”