“I was very aware of the role that scent played in my own life, often acting as a sort of remedy,” Boechler told us. “For these works in particular, the scents they are paired with are quite often the antithesis of what is being depicted. The scents are meant to level out the unrest of the work, just as I’ve noticed it’s capable of doing for me personally in day-to-day life.”
House of Cherry Bomb was thrilled to be a part of Jared Boechler’s extraordinary exhibition, creating fragrances for the provocative, haunting selection of paintings in February 2018 at the Sheen Center in Soho, NYC. Six scents were created for … Continue reading →
“Immortal Beloved opens on tobacco flower a lot of it. This is the continuation of Immortal Mine which ended with tobacco. Immortal Mine opens with the tobacco flower which is the same but not the same just as Clarimonde in her new form is. Then we get two fantastic nods to the living dead as a desiccated henna and the funeral flower of choice lily add a sense of the cemetery. This is a fabulous piece of interpretation that I enjoyed very much. The base accord is like the tobacco flower as the recapitulation of the amber and oud ensnared in beeswax from Immortal Mine. Except in Immortal Beloved they are a mix of vintage ouds and fossilized ambers. I smelled a couple of these raw materials on that year ago visit; the fossilized amber is amazing by itself. Here the perfumers have allowed it to provide the power of the ages to Clarimonde.”
Immortal Beloved is a hauntingly floral oriental chypre: it hovers.
It opens with silvery shafts of light on whose heels the warm/cool florals melt and spread their wings. I say ‘warm/cool’, because tobacco flower is precious and full-bodied, warm and a bit moist – while henna blossom always feels drily warm to me. Muguet always feels chilly and moist, slightly verdant even – but floral in the extreme. We have voluptuous, fearless flowers shrouded in a diaphanous shawl of ambergris [salty and serene], a sigh of labdanum, the vanillic salutation. Beeswax imparts its honeyed animalic tone, underscoring the carnality of Immortal Beloved. Oud spins a delicate web of sorcery [yes, oud!] beneath the silvery cocoon which grazes our skin.
We are suspended between the waking and dreaming world in a divine limbo of existence
In its new form, this all natural fragrance entwines the mystery of dark, vintage ouds and million year old amber resins, with that of stunning Moroccan henna flower, drops of precious beeswax absolute, and tobacco flower. A shadow of ambergris, labdanum and chypre are touched with traces of delicate lily of the valley and Madagascar vanilla.
Immortal BELOVED is sensual and complex, an olfactory story of Gods and Goddesses, beauty, power, and love eternal. We have envisioned the fragrance of immortality using rare and precious elements from nature. Immortal Mine II resonates through time, reflecting the light and dark of this mortal coil, and the marvelous complexity of being.
Immortal BELOVED is available in these various incarnations:
1/3 oz (10 ml) oil based perfume in a hand blown, gold filagree, Czechoslovakian glass bottle. $150.00
1/3 oz (10 ml) EDP in a red metal purse atomizer.$50.00
“Violet Green Tea Honeysuckle (let’s abbreviate it as VGTH) opens as a green grass and cool violets. With wear the violets get more tangy, like unripe raspberries. This bitter fruitiness mingles with a sheer, airy honeysuckle. It wears exactly as the name implies – violets and honeysuckles. VGTH dries down to powdery woods which reminds me of a vintage dressing table – violet powder and lacquered woods.”
“Tobacco Cognac seems like something out of French New Wave. It’s late nights smoking cigarettes having indifferent conversations, drinking cognac while wearing frayed wool sweaters, shorts and dock shoes. It’s lazy weekday mornings sunbathing on the little beaches of a forgotten French resort town in a faded polka dot bikini.”